-:- His tune fullness
and performance on this difficult instrument
touched me immensely. He proves his excellence
of Raga and Tala in all aspects. |
|
| |
-:- I was first stuck
with the beauty of your Clarionet sound,
such a wonderful fullness, yet mellow
and flexible. Your control of the dynamics
was formidable and you displayed a marvelous
sensitivity and most artistic. |
|
| |
| -:- I was personally moved
by his mellifluous music. The means are
not easy to manipulate on this keyed instrument.
|
Dr. Karaikudi Subramanian, Madras. |
| |
| -:- His Instrumental tune is smooth and
wholesome and the performance often reminded
a Shehanai at play. |
Deccan Herald, 04-Mar-1980. |
| |
| -:- Vadavati’s style of playing
reminds one of the tenbzir of Bismilla Khan’s
Shehanai and alaps of Pannalal Ghosh Bansuri. |
|
Indian Express, 15-Nov-1995. |
| |
| -:- Vidwan Narashimhalu Vadavati’s
enjoyable Clarionet rendering of Raga MaruBihag
based on Gayaki style was a superb of its
own kind. |
The Hindu, Bangalore, 08-Jan-1988. |
| |
| -:- His expertise in extracting Sureli
from this difficult western instrument is
Phenominal. |
|
| |
| -:- Vadavati is the man who gave life
to western music instrumentalism with spirit
of Indian Music. |
| |
